Eurivaldo Bezerra
Eurivaldo Bezerra
Filhos
( Children )
In my first self-published book, released in 2016, I use photography to promote social change. In this case in the field of adoption.
Multiplicadores
Sociais
( Social Influencers )
A photo shoot commissioned by ID Cultural to illustrate the incredible work of social influencers.
( Arpoador Beach My Love )
My first official assignment as a professional photographer. In 2014 I was invited by Andre Car-rano from ID Cultural to do a photo shoot about this wonderful historical place in Rio de Janeiro, the Arpoador Beach.
( Estácio University )
One of Brazil’s leading universities, Estácio de Sá, commissioned a book to celebrate forty five years since its founding. I traveled around Brazil, gathering great stories from teachers and em-ployees, and bringing back memories of some amazing landscapes.
( Exemplary Cariocas )
ID Cultural invited me to photograph a friend – Rafael de Oliveira – in London, for the book Ex-emplary Cariocas (Cariocas Exemplares). This book highlights some popular and prominent cario-cas around the world.
Vida nos Trilhos
( Life on the Tracks )
My second book as a photographer, Life on the Tracks (Vida nos Trilhos) (2014), is about railroad workers and their passion for what they do.
Esperança
( Hope )
A powerful photo shoot about the inmates of care homes for elderly people, living without any apparent purpose in life.
Filhos
( Children )
In my first self-published book, released in 2016, I use photography to promote social change. In this case in the field of adoption.
Multiplicadores
Sociais
( Social Influencers )
A photo shoot commissioned by ID Cultural to illustrate the incredible work of social influencers.
( Arpoador Beach My Love )
My first official assignment as a professional photographer. In 2014 I was invited by Andre Car-rano from ID Cultural to do a photo shoot about this wonderful historical place in Rio de Janeiro, the Arpoador Beach.
( Estácio University )
One of Brazil’s leading universities, Estácio de Sá, commissioned a book to celebrate forty five years since its founding. I traveled around Brazil, gathering great stories from teachers and em-ployees, and bringing back memories of some amazing landscapes.
( Exemplary Cariocas )
ID Cultural invited me to photograph a friend – Rafael de Oliveira – in London, for the book Ex-emplary Cariocas (Cariocas Exemplares). This book highlights some popular and prominent cario-cas around the world.
Vida nos Trilhos
( Life on the Tracks )
My second book as a photographer, Life on the Tracks (Vida nos Trilhos) (2014), is about railroad workers and their passion for what they do.
Esperança
( Hope )
A powerful photo shoot about the inmates of care homes for elderly people, living without any apparent purpose in life.
Filhos
( Children )
In my first self-published book, released in 2016, I use photography to promote social change. In this case in the field of adoption.
Multiplicadores Sociais
( Social Influencers )
A photo shoot commissioned by ID Cultural to illustrate the incredible work of social influencers.
( Arpoador Beach My Love )
My first official assignment as a professional photographer. In 2014 I was invited by Andre Car-rano from ID Cultural to do a photo shoot about this wonderful historical place in Rio de Janeiro, the Arpoador Beach.
( Estácio University )
One of Brazil’s leading universities, Estácio de Sá, commissioned a book to celebrate forty five years since its founding. I traveled around Brazil, gathering great stories from teachers and em-ployees, and bringing back memories of some amazing landscapes.
( Exemplary Cariocas )
ID Cultural invited me to photograph a friend – Rafael de Oliveira – in London, for the book Ex-emplary Cariocas (Cariocas Exemplares). This book highlights some popular and prominent cario-cas around the world.
Vida nos Trilhos
( Life on the Tracks )
My second book as a photographer, Life on the Tracks (Vida nos Trilhos) (2014), is about railroad workers and their passion for what they do.
Esperança
( Hope )
A powerful photo shoot about the inmates of care homes for elderly people, living without any apparent purpose in life.
